The Star Wars Expanded Universe and how it's Technically Still Canon

Welcome back, everyone! I return with another Star Wars related blog, this time not relating to opinions regarding the movies, but rather bringing to light certain questions regarding the current canon and me attempting to answer them.

The Star Wars Expanded Universe, otherwise known as the Legends Canon, refers to every piece of media, be it in the form of books, animated movies, comics or video games that existed outside of the main six movies up until late 2012. These stories covered essentially everything that the six movies couldn't, covering several millennia of Star Wars history, establishing entire stories and races outside of the Skywalker saga, and providing a continuation of the story showing what happened after the events of Return of the Jedi, covering several generations of Skywalker descendants.

For decades, this is what the fans saw as what happened outside of the movies, and for many, that continuity, containing hundreds of books and comics creating an established timeline, was destroyed by Disney, much to their dismay. However, one needs only pay close attention to the finer details to see that all is not lost. There are actually tons of cameos, references, and namedrops in Disney's new canon that allude to the Legends Canon, suggesting that at the very least several key events in the story still happen and a few significant characters and themes from it still exist, if not all or most. Let's take a look, shall we?

The New Jedi Order

In the Legends Canon, Luke Skywalker, after the Battle of Endor and defeat of the Emperor and Darth Vader, began searching for old Jedi temples and studied their artifacts, or at least what remained of it after the Empire destroyed many of it. He learned of the Old Republic through ancient documentations and Holocrons, even traveling to Sith planets to learn their history and philosophy. With this gathered knowledge, along with the teachings he previously received from Obi-Wan and Yoda, he formed the New Jedi Order to pass down his knowledge to other force sensitives across the galaxy.

Recall that in The Force Awakens, it is said that Luke, sometime between the events of RotJ and TFA, went looking for the old Jedi temples. Han even mentions the New Jedi Order by name.

EU Abilities Used in Episode 7 and 8

(Section contains spoilers for TLJ)

The EU also established a lot of new imaginative force abilities that the movies did not portray. One would imagine that there would be more to the force than sensing, moving objects, and mind tricks, and they would be right. Far more advanced techniques include Jedi Spacefolding, imprinting memories into objects and people (which is theorized to have been used on Luke's blue lightsaber, hence why Rey has the visions when she finds it), and Force Projection.

Force Projection, as the name suggests, is an ability that allows its user to project oneself to another location, enabling them to interact with objects as if they were there. More powerful users of this ability can manifest physical objects or weapons such as lightsabers that are seemingly as effective as real ones. The user can even move the projection to other places instantaneously to appear as they they are teleporting, or cause the projection to phase through solid objects or become intangible. Yes, contrary to popular belief Luke's "new" ability used towards the end of The Last Jedi is not new at all, and was used quite frequently by Luke himself in the Legends Canon.

 

Greivous's Coughing in Revenge of the Sith

You may recall that before Episode III: Revenge of the Sith, Cartoon Network featured an animated miniseries tie-in to promote the movie: Clone Wars. In this animated series, Mace Windu uses Force Crush (another EU ability) on Greivous, causing his chest to collapse. As a result, in Episode III General Greivous has a profuse cough, and this moment in Clone Wars is the official reason as to why. Because this was long before Disney's interference in the Star Wars franchise, Clone Wars is considered part of the Legends Canon. Since Greivous's coughing is clearly a result of Mace Windu's Force Crush, and because Revenge of the Sith is one of the numbered movies that Disney is still following the continuity of, this cements at least some events of the EU in Disney's continuity long before they bought the rights.

Darth Revan and Darth Bane in Star Wars: The Clone Wars

Reminder that The Clone Wars and Star Wars Rebels are part of the Disney Canon, since the show aired in 2014, after the rights were handed over to Disney, and characters from both have appeared in Disney Canon movies, such as Saw Gerrera's appearance in Rogue One.

Now that we got that out of the way, allow me to explain the significance of these appearances. Revan and Darth Bane are characters who appeared in the Knights of the Old Republic video games. Roughly 4000 years before the original trilogy, the Sith were a tribal race that killed one another for power, creating constant in-fighting and near-extinction of the race. Revan was one of the first Jedi to join the Sith, and while there introduced Jedi philosophy and established order to the once violent and barbaric Sith race, saving them from dying out. Despite being called Darth Revan, he considered himself neither Jedi nor Sith, and was one of the first to weild the rare purple lightsaber, which signified its user's balance in light and dark sides, and dual-weilded it along with a red Sith saber. He recorded his wisdom into a holocron, which was many millenia later possessed by Palpatine, who thanks to heeding Revan's teachings lead an Empire that was successful for twenty plus years. His philosophy was adopted by many future Sith as well as the Grey Jedi (which is what Ahsoka became in Rebels) and become the front-runner for modern Sith philosophy and the Rule of Two established by Darth Bane. 

This is where Bane expanded on Revan's knowledge, and where the Sith became the true antithesis to the Jedi. Bane believed that it was the right of the strong to exact their power over the weak, that peace is an illusion, and that "evil" was term used by the weak to discredit the actions of the strong as they exerted their rightful dominance. He also conceived the Rule of Two, a rule of thumb for Sith masters to never take more than one apprentice at a time. He also advised that an apprentice would always seek to destroy their master. If they succeed, they become the new Sith master. If they fail, the master further exerts his dominance, or at least until he is eventually replaced or killed. Bane believed that this was the best way to strengthen and preserve the Sith way, and is referenced by Yoda at the end of The Phantom Menace. It also foreshadows Vader killing the Emperor in Return of the Jedi.  

Now, Darth Bane in The Clone Wars doesn't necessarily canonize all of KOTOR, but establishing him as an important historical figure in the Star Wars saga in the Disney canon does have a lot of implications that come along with it, and his dialogue with Yoda in this scene does allude to some events, albeit vaguely. Also, what appears to be Darth Revan, does appear in the same episode, but he's only on screen for like two seconds and not nearly made up to be as big a deal as Darth Bane.

However...

Darth Revan does make a legitimate appearance in the series... as a deleted scene. It was removed because it was decided that it would make no sense for Sith to appear before The Son to offer him guidance since The Son was basically the dark side itself. But this doesn't necessarily mean he doesn't exist in the Star Wars Disney canon, only not in this scene, and it was a plan by the Clone Wars team, including George Lucas himself, to establish Revan and Bane in the series rather early on.

And yes, that was Mark Hamill voicing Darth Bane. I'll let you bask in that awesomeness for a second.

Oh, speaking of The Ones in The Clone Wars...

The Ones in canon

 Yeah, I failed to mention that The Clone Wars is a GOLD MINE of EU content, and it would be impossible to go over all of them in such a short time. But The Ones and Darth Bane are definitely the biggest inclusions.

In the Clone Wars episodes, Anakin, Obi-Wan, and Ahsoka encounter The Ones, physical manifestations of the aspects of the Force. The Daughter represents the light side, The Son the dark side, and the Father the balance between the two.

In the EU, Luke encounters them roughly fifty years later, after one becomes added to the family of The Ones, Abeloth the Mother. Where the Father represents balance and unification between two forces, Abeloth represents the chaos, schism, and constant war between the two. Luke gathers every force sensitive he can to warn them and prepare for the threat of Abeloth, even enlisting the help of Sith. It was this unification of the dark side and the light, along with the dagger seen in The Clone Wars that was used to kill the Father in the episode, that subdued Abeloth and ensured the future of both Jedi and Sith, and perhaps the universe itself.

The Downed Star Destroyers on Jakku

There is a book called The Legends of Luke Skywalker featuring several crew members sharing stories about Luke Skywalker, similar in a way to the Batman the Animated Series episode, Almost Got 'im. In one of these stories, after viewing a Wanted hologram of Luke and experiencing strange visions, an Imperial officer on board a Star Destroyer felt the entire ship being pulled down to the surface of Jakku, as if by "a giant invisible hand". It is implied that this is the same ship seen in The Force Awakens.

Boba Fett is Still Alive

The digestion process of a Sarlac takes over 1000 years (with the swallowed-whole prey being kept alive for part of it), and Boba Fett's Mandalorian armor would give him more than enough protection. This means that he isn't dead as of his last appearance in Return of the Jedi after Han Solo knocked him into the Sarlac, and should canonically still be alive.

In the EU, he cuts himself out to fight another day. This isn't entirely out of the question, since Boba would still be alive even now. The LucasFilm Story Group refers to him as "Shrodinger's Fett", and that he is "simultaneously both dead and alive" in the sense that he's kind of set off to the side for now until a story calls for him to be brought back, if at all. That's no confirmation that all his stories are canon, but they do consider the possibility.

EU Easter Eggs in The Last Jedi

There were TONS of easter eggs and nods to the Expanded Universe in TLJ if one pays enough attention, included but not limited to Han Solo's golden dice he used to win the Millenium Falcon in a Legends comic (which appeared breifly in A New Hope and will appear again no doubt in the Han Solo movie) and references to The Old Republic, such as a lightsaber believed to have belonged to Darth Revan.

The 30-year gap

There is 30 years worth of time in between RotJ and TFA. This gives ample amount of time for the Yuuzhan Vong, Luke hooking up with Mara Jade, and all the aforementioned stories to occur. Of course, this may never be confirmed by Disney, and there are conflicting stories such as how Kyber crystals get their color and Luke's descendants, though they still could exist, it's just that Disney doesn't want to focus on them right now and would rather continue forward with the new characters. With multiple canon sources so consistently pulling from the EU, it's only a matter of time before the main movies begin focusing on stories from them, so we may yet still see an appearance from Mara Jade, Luke's kids, Jacen Solo, or even a Boba Fett or Cade Skywalker movie at some point.

Sure, Disney did do some retconning, but it was mostly the finer details of the Legacy of the Force story arc that was tweaked, certainly not the complete eradication of an entire continuity that the fans viewed it as. I see the new movies as simply newer additions to an already expansive and immersive universe, and I am intrigued to see what we get next.

I am Hero's Shade and I will see you all next time.

A Star Wars: Last Jedi Discussion- How the Internet Ruins Opinions

Wow, what a great movie The Last Jedi was! I can't wait to discuss my thoughts about the film with the fine fellows of the internet!

Oh, goddammit, internet!

Let me ask all of you a question. Does it ever seem like people on the web hate things just for the sake of hating them? I mean, I get that there will always be legitimate things to criticize, but people always take it overboard. Either it's the worst, most abominable creation to exist, or it's God's infallible gift to mankind, no in between. 

Now, I may seem hypocritical here because I often got on a good friend of mine's case for enjoying Batman vs Superman and I would always scrutinize it whenever it got brought up, rather than just passively discussing it and being accepting of her opinions. I was so concerned with all the negatives that I overlooked all of the positives about the movie. It had some stunning visuals and choreography, excellent costume design, and near-perfect casting choices. Sure, it had a lot of problems, but it's been over a year and I'm satisfied with how Wonder Woman and Justice League turned out, so I'm so over being upset about something so inconsequential as opinions about a movie.

And after my experience with The Last Jedi, with me having a great time and everyone else seemingly universally hating it (besides me and my friends who know better), I can definitely sympathize. I thought it was a fantastic movie. There were unexpected twists and fake-outs at every turn, the acting was amazing, and it's not your typical Star Wars movie, with it still having plenty of satisfying nods for long-time fans. It even had some Easter eggs and homages to the Expanded Universe.

Now, I may be biased, because I was going through a tough time struggling with depression, so I related with Luke for the entire movie. Seeing him renew his old self again and kick all kinds of ass in his own Luke Skywalker way felt so good, and there were plenty of inspiring moments and quotes in this movie that really helped me.

But at the same time, I feel I was still less biased than the vast majority. I actively avoided everything I could about this movie until I saw it. I wanted to go in with a fresh mind and no expectations or pre-concieved notions whatsoever. And as a result, I enjoyed it. 

I feel as though whenever a new Star Wars movie comes out, people will always hold it to the standards of the original, and more often than not end up dissapointed. But I think what people really remember is what they felt as children when watching it for the first time. Sure, this movie has a lot of problems, but guess what? So did A New Hope. The pacing was slow and there was more time talking with the droids than there was actual Star Wars, but that doesn't mean it can't be enjoyed. Though at the same time, it is sort of over-romanticized. There's nothing wrong with nostalgia, and those are good movies, but let's not pretend they're perfect. As Stan Lee once said, "Every comic book is somebody's first comic" just as every movie is someone's first movie. You can capture that same magic that you felt with your first experience if you simply go in with an open mind.

Second, I tend to avoid reviews and comments for movies nowadays because there seems to be a hivemind mentality with opinions about any new form of media. People read reviews and act like they know everything about a movie without even seeing it. People have one opinion about something, they see a video, and their opinion conforms to match the reviewer. People love something, they see a review, and then they hate it. People are dumb.

Go home internet, you're drunk.

Just give it ten years until TLJ becomes so hated that it becomes underrated and people decide they like it now, just like the prequels. In the meantime, I'll be over here enjoying myself.

I am Hero's Shade and I will see you all next time.

Character Analysis: Doctor Doom

The time has nearly come for the Vishanti, the celestial beings who grant the world's sorcerers their many abilities, to choose the next Sorcerer Supreme. In a dimly lit cave, the wise Aged Genghis meditates on the events that are about to transpire. A young monk brings him a bowl of soup, hoping to convince him to eat this time.

“Please, aged one. I have sworn to serve you. If you do not eat, you will die, and I will have failed. Take some food...do not doom us both!” he pleads.

“Food satisfies but one hunger, Acolyte. For one so young as you to invoke the spectre of Doom is most amusing! Why… you are hardly old enough to understand the true meaning of Doom. Doom… is a man! Yes… a driven man…”

-From Doctor Strange and Doctor Doom: Triumph and Torment

WHO DARES ENTER THE LAIR OF…
Oh, it’s just you… welcome.

Yes, welcome everyone, to my first ever character analysis! For those of you who are wondering “Shade, why are you calling this your first character analysis when you've done research blogs on characters before?”, well, those were Death Battle predictions and Death Analysis blogs, whereas these will focus more on the background, ideals, and concepts related to the characters from a literary standpoint.

I feel it only necessary to discuss Doctor Doom first because nobody I know outside of the realm of the internet, besides my friends who read comics, seems to really know who he is. And the people who do remember him only recognize him from the movies and wonder why I like a character from such dumb films so much.

Every day we stray further from God's light...

Now, I will admit I do have a soft spot for the first two FF movies of the 2000’s (we don't talk about Fant4stic), and the general tone in the movies are actually pretty similar to the original comics that ran during the 60’s in the sense that they can be enjoyed from a fun and campy perspective, however Doom himself was terribly misrepresented. I would say he has never had an accurate portrayal in the movies, but his characterization in the 1970’s movie was actually pretty close to the comics. But nobody remembers that movie, aside from maybe people who follow Cinema Snob.

This of course isn't at all helped by the Marvel Cinematic Universe not being able to feature Fantastic Four characters due to legal reasons, and the f*ckery surrounding a certain fighting game featuring Marvel characters, and an awesome character like Doom deserves-no… DEMANDS more respect than this.

So, ladies and gentlemen, hailing from Earth-616, the man who started from nothing and became everything, I present to you Doctor Victor Von Doom.

You know, the funny thing about Doom is he was created to be the greatest supervillain of all time, and yet, while that may have succeeded on many fronts, he doesn't necessarily fit into category of “supervillain”, and yet...also does.

In fact, one might argue that he is actually a hero, if you simply believe that the ends justify the means. He does more than what the so-called Earth's Mightiest Heroes could ever do (and he never lets them forget it) by not concerning himself with things like moral obligations, overstepping boundaries, and being held back by attachments.

When I originally came up with the idea for this blog, I hypothesized that Doctor Doom’s life was split into three defining character arcs: The Definitive Supervillain Era (where he exhibits the traits of the classic supervillain archetype), The Humanization Era (where he became more down-to-earth and relatable, and you were meant to sympathize with him) and the Redemption Era (the current line of comics, the supervillain redemption story that is Infamous Iron Man), but after going back and re-reading all the source material, I realized that it's not quite that cut and dry. Since the beginning, nearly every comic featuring Doom has exhibited all three of these, to some extent. Doom has always been in that grey area, which sets him apart from your typical bad guy. He breaks the mold when it comes to comic book villains, and that is why he has always been such a fascinating character to me.

‘Doctor Doom does not fail’ indeed.

To truly understand Doom, one must understand that he simply sees himself as above all earthly things. And, well, for the most part, he's kinda right.

Doom possesses the most advanced man-made armor in the 616 Marvel Universe, making Iron Man’s armor seem like an inferior toy. He is a master sorcerer, and had it not been for Doctor Strange’s Eye of Agamotto, he would likely be Sorcerer Supreme. Even other feared entities such as Dracula are at Doom’s mercy due to holy relics such as a splinter from the cross that Jesus Christ was crucified on. Magneto, someone who actively hates humans, respects Doom for refusing to be merely human and striving to be something more. Marvel celestials such as Silver Surfer, Galactus and the Beyonder are subdued by his technology, and Thanos feels he needs to keep tabs on him.

However, while incredibly impressive that a non-powered human being, through sheer force of will and determination, can achieve all these things and become one of the most feared and respected entities in comics, this isn't necessarily what makes him above everything, and are just examples of his influence on the Marvel multiverse.

In 1961, comic book legends Stan Lee and Jack Kirby were working on the classic Fantastic Four series. They had already introduced antagonists such as the Moleman and the Skrulls, but these conflicts were usually resolved by the time the issue was over. They wanted to create a new villain that would leave a lasting impression, not only on the Fantastic Four, but on the readers, a villain that they said would represent death itself. For their fifth issue, they introduced Doctor Doom to the world, and leave an impression it certainly did.

But what did they mean exactly by “represent death itself”? Well, to put it simply in the words of Mistress Death, “Death is a promise, a promise that is kept by everyone…”. In Marvel Comics and in the real world, there comes a time in everyone's life when they must face doom, and Doom has confronted every significant figure in Marvel at least once. Of course, it extends beyond that, or else you could say that Spider-Man, Hulk, or Wolverine are allegories for death.

Exhibit A: The Doombots. I'm sure that most people are aware of the classic Doombot fakeout that Doom popularized. While far from the first character to fake his own death, he takes the concept to a new level via the Doombots, among many other tricks up his sleeve. The Doombots are the perfect mimicry of himself, right down to minute features such as the iris of his eyes. He programs each of them with his own personality and speech patterns, and gives each of them magical properties and spells to dissuade others from thinking they may be entirely mechanical. Not only do the Doombots preserve his legacy should he fall, they serve a much bigger purpose. 

 If Doom is ever killed or publicly executed, or otherwise should pass on, there is always that seed of doubt he planted by creating the Doombots, that lingering fear of “What if that was just a Doombot? What if the real Doom is still alive?” They would never know, because, as seen above, Doom programs each one with a specific algorithmic language that only he can understand. Even in death, Doom lives. 

Doom is eternal. 

To further explore this, let's look at one of the most highly regarded graphic novels featuring Doctor Doom: Emperor Doom.

There is a psychological concept known as the Kubler-Ross Model of Grief, also known as the Five Stages of Death. It hypothesizes that when a human being is confronted with death, be it their own or the loss of a loved one, that person goes through five stages: Denial, Anger, Bargaining, Depression, and finally Acceptance.

Only through acceptance can one find peace with themselves, and Doctor Doom believed that the same must also be true for the entire world. Rather than fighting for global dominance, he would achieve it through acceptance.

To do this, he would use his technology to harness the power of one Zebediah Killgrave, aka the Purple Man, who has the ability to telepathically manipulate or deactivate human will (except for Doom’s, whose will is far too strong).

Freewill results in different ideals and philosophies, which leads to conflict. And so, Doom removed freewill from the equation, and created a world without conflict. There was no more war because people no longer disagreed with one another or fought over petty things like territory, which allowed the countries of the world to focus on snuffing out the world's real problems, like world hunger and poverty.

But there was one man who was not satisfied, who was not at peace: Doom. For the first of many times, Victor von Doom achieved his goal, and yet is haunted by a sense of discontent. It makes him wonder, is this really what he wants?

Daily reminder that Captain America is awesome

As if an answer to Doctor Doom’s internal conflict, the Avengers break free from his control. They fight to release the others from his clutches and go to confront Doom.

In the end, Doom allows the Avengers to make the decision. Should they let the world be at peace but also allow Doom to rule, or stop him and give mankind back its freewill, while plunging the world back into chaos? Either way, he knew that decision would weigh on them for the rest of their lives. And not only that, he takes pride in them knowing that he achieved what Earth’s Mightiest Heroes could never accomplish: save the world.

It will always be something that will be at the back of their minds, proving once again, that Doom is eternal.

But what is the root of his discontent? What drives him to be more than a man? To answer that, we'll have to go back to the beginning.

Victor von Doom was the son of persecuted outcasts, his mother a master of the dark arts and his father a doctor. Cynthia von Doom sought vengeance on the baron of Latveria who condemned them to their fate. She turned to the most desperate of measures, making a deal with the devil himself. In exchange for her soul, she asked she be granted his power temporarily, for the future of her people and her son to be free from suffering and want. Mephisto’s end of the bargain would eventually be granted, just, as you can see, not in the way she expected. 

With his mother killed as he was a child and his father now dead before him, Victor set out on a quest with a new purpose, not one of just vengeance, but to rise beyond anyone's oppression, to ensure this incident never happens again, to any of his people. I can put it to no better words than the comic: “He fell victim to no demons, save his own.”

Thanks to messing with his mother's box-I mean his mother's chest-AHHHH!

...he excelled in black magic. After mastering everything that was available to him thanks to his mom's… oh forget it… his next pursuit in rising to the top would be in the field of science, which he excelled in, which makes sense considering magic in Marvel is basically just super-advanced science  (see the Thor and Doctor Strange movies).

Victor’s success in the scientific field would not go unnoticed. He was eventually admitted into a prestigious university in the United States, which just so happened to be the same college attended by Reed Richards, who would later become Mr. Fantastic. From the moment they met, Reed could tell that Victor was troubled, and made many attempts to try and help and befriend him. However, considering Victor’s background growing up under the rule of a ruthless dictator, genuine empathy and compassion were a foreign concept to him. He just couldn't wrap his head around Reed being nice to him without having some kind of ulterior motive, and he believed that making friends would only hold him back.

When the Heaven Breacher, for lack of a better term, blew up in his face, rather than admit he made a mistake, naturally there was only one man to blame in his mind. 

But it wasn't the fact that he was hurt by the explosion, it wasn't the fact that he was expelled that caused him so much pain. It was the fact that the accident scarred his face, a permanent reminder of his failure. So obsessive of this, rather than just letting such a minor contusion be healed by a doctor, he would earn himself a new face, one that can never be damaged. And rather than be in despair of the sight of his own face, the world would instead. 

“Look upon me and tremble, for my face is the last you shall ever see. I am Doom.”

-Doctor Doom in Ultimate Spider-Man

While vengeance is the catalyst that drove him to become Doctor Doom, he didn't let it consume him. After all, that is beneath him. He is calm, charismatic, and there is an air of royalty and civility in the way he carries himself. 

However, that isn't to say that he's satisfied. 

“That would be beneath me. Such chores are what people like you are for.”

*mic drop*

Of course, an analysis of Doom would not be complete without bringing up his trademark ego. While people who are full of themselves irritate the hell out of me, Doom doesn't, and I'll try my best to explain why.

See, most people brag due to a high level of insecurity they feel they need to bury, but not Doom. You won't see him acting like hot shit when other people are around and then crying himself to sleep at night, nor is he so blinded and delusional in his narcissism that he can't see his own flaws. Everything he says about himself is truth.

And rightfully so, he wouldn't stop training in any discipline until he surpassed his masters, be it the Tibetan monks or the most prestigious college professors in higher education. He has created what modern scientists couldn't dream of inventing, such as time travel, antimatter bombs, forcefields, devices that harness cosmic power, etc. He is ahead of his time, and is waiting for the rest of the world to catch up.

He does not believe others are beneath him due to sexism, racism, or any other petty prejudice, he is above you because he's Doom, and you are not.

And he doesn't let the world forget it. Paraphrasing his own words, a brilliant mind does not need to catch up with the world, he forces the rest of the world to catch up with him.

So in other words, his bragging is his way of challenging the rest of the world to get on his level.

Perhaps it is because he struggles with discontent. It's much like the premise of One Punch Man: He feels as though no one can be considered his equal, so his life is rife with boredom. 

Or, perhaps there is yet one thing he could do to help alleviate this dissatisfaction in his life.

If he has struggled his entire adult life to free his mother's soul from the clutches of Mephisto, then surely that would be the closure he has been looking for...right?

Wow… I posted more scans than I thought. Well, back from awesome comics to reading my boring words.

Honestly, I really don't have much to add. The comic already says all it needs to say that I can't really say anything more that would do it justice. 

I can, however, bring up another scan from a comic (torture, I know).

Ah yes, Secret Wars. Often regarded as the first event comic, predating DC’s Crisis on Infinite Earths by one year, Secret Wars is one of my favorite Marvel stories due to how well-balanced all the stories of each of the characters are, which is impressive considering it has over fifteen. It's also where the Beyonder is first introduced, and it's where Spider-Man gets the black suit which would later become Venom.

Here, Captain America surmises that the desire to release his mother from damnation (this was before Strange and Doom) is part of what makes him who he is, perhaps the only part of him left after absorbing the Beyonder’s power that keeps him human.

That only raises the question, what becomes of Doom after his mother is freed from Hell? Is he still the same Victor von Doom he once was, or has he become something different?

After all, Secret Wars was also arguably the first time, due to the cosmic power he obtained, that he experienced empathy.

By becoming the leader of Latveria, Doom avenged his father. By facing Mephisto, his mother as well. And after the Beyonder regained control through Doom’s own internal conflict and desires, returning to his previous state, only Doom’s scar remains.

Now that he understands others, in hindsight, perhaps he would have dealt his meeting with Reed Richards a little differently. Maybe he would not have let his own pride get in the way and let him help with his work, maybe he wouldn't have been scarred in the first place.

Maybe Victor would be a hero like him had it not been for his upbringing.

Or maybe it's just him. Maybe his days of conquest were not quite over. At least, not  before something nobody saw coming.

Doom is God.

In the events leading up to this, the 616 Marvel universe and the Ultimates universe were merging with one another. The Beyonders of both universes, as well as others beyond their own, were going to collide in a cataclysmic war, destroying all that exists. But Doom and Strange had a plan, and teamed up once more. 

They began collecting duplicates of Molecule Man from all the dimensions they could, forming a multiversal bomb that would kill the Beyonders. But all the energy left over, if left unchecked, could reform on their own. There was only one candidate who absorbed a Beyonder’s power before. 

And so, to save the multiverse, Doom must become God.

I know this is off topic, but let's take a minute to consider something. It's never shown what happens to FemThor, but either she now serves Doom, or he doesn't consider her worthy. Mmm, head canon is a wonderful thing, isn't it?

Anyway, Doom recreated the Marvel multiverse in his own image. All of time and space was at his whim. Or at least, in the context of Marvel this is as powerful as one can get (without being The One Above All). He took all of the Marvel characters, including all of the multiple universe duplicates, and put them all on one GIANT-ASS PLANET with pieces of planets from each of those dimensions, while giving each of them their own territories with appointed monarchs who would rule over each of them. He littered the sky with countless stars, only to collapse thousands of them to form hammers for the Thors, his police force to keep all of the kingdoms in check. Even Odin, under God Emperor Doom’s influence, believed he was the eldest of the Thors sworn to serve Allfather Doom. He rewrote history to where no other being existed before Doom, and Sue Storm, Franklin, and Valeria Richards where his children, simply so Reed Richards could not have them. He even made Galactus their family pet.

However, Doom’s oversight became his downfall once again. His own “daughter” Valeria began carbon dating the soil, and found that some of it was millions of years older than when Doom was said to create all reality as they know it. There were survivors of the Incursion who remembered their lives before then. Word quickly spread that Doom was a false god and well…

Let's just say things got messy.

Imagine that, from the moment you first met, there was always one person conspiring against you to destroy everything you created. This person would always be there to impede on your greatest dreams from being realized. 

But in reality, that person only ever wanted what was best for you, and was always trying to reach out to you. And deep down, you always knew that, but never wanted to admit it because you had always been alone.

In a twist of irony, that person had always wanted exactly what you wanted, and felt the exact same way, that you were always in that person’s way.

It just took losing all the power in the world to finally realize it.

That angry child from Latveria had accomplished everything he set out to do. And with that, Doctor Doom has served his purpose. It was time for the man behind the mask to become something else.

Interestingly enough, Iron Man’s motivation creates a parallel with Victor’s new revelation. Tony Stark became Iron Man because bad people were using the weapons he created, so he uses the persona of Iron Man to undo what he did in his life before he was Iron Man, and hunts down the men who abuse that power. As Doctor Doom, Victor allied himself with the most wicked people on Earth. And now, as the Infamous Iron Man, he has become their worst nightmare (while giving those he believed could be converted a shot of redemption).

Hey! I'm gonna get you too! Another one bites the dust!

Now, everyone who knows me well enough would know that I despise deconstruction stories that ruin the concept of a character. However, as I said before, Doom has always been in a gray area, so this isn't really a drastic change. 

He still wants to make the world a better place, but for a greater cause. He still has his pride, but he has respect for others and is more humbled now. 

You might think of it like how Vegeta and Piccolo became good guys, but Doom just went through a much longer transition. 

This was a nice throwback. It's always nice when they acknowledge old classics.

Doom may not be perfect, but in the words of his mom (she's back, by the way), he's on the right track.

I'm really thrilled with where this series is heading, and I'm excited to see what happens next. Unfortunately, it's not selling well, so who knows if this will last. That's a shame, because Marvel is still making good comics like this. It's just that they're not getting as much attention. At least, I can be happy that Doom’s legacy is not tainted by the current SJW sentiment going on in the comics right now (nor would he allow it to). I can only hope that more people support this comic, because I'd hate to see it given up on.

I would find it only fitting if Victor von Doom lived as both the greatest Marvel villain of all time and one of its greatest heroes.

While DC Comics may inspire people to be greater than themselves, Marvel is more down to Earth and represents the human struggle. I would argue that Victor von Doom is the best example of both, and of all the things I've found for this blog, I found this to be the perfect sendoff:

I certainly hope the readers of this have more respect for my favorite Marvel character now, and I thank you all for joining me.

I am Hero’s Shade, and I'll see you all…

NEXT TIME!